Notes from Eleanor

Defying archival practices, at some point the Department of Records and Information Services created a “Special Collection” which consists of historical City government records separated from a variety of other collections. Organized alphabetically, the trove is a hodge-podge of important documents including a 1728 petition to establish a Jewish burial ground, and a 1765 letter to restore peace from British General Thomas Gage.

This arrangement highlights the shortcomings of the Special Collection. Nothing is where it belongs! If processed and filed following normal archival practices, the letters would be in folders of correspondence related to the subjects, organized by year. This would make it possible for a researcher to trace the back and forth between letters received and responses sent.   

Photo illustration, This I Remember, by Eleanor Roosevelt, Harper & Brothers, 1949. Municipal Library

Within the Special Collection is a folder labeled Roosevelt, Eleanor. It contains correspondence written to and from Eleanor Roosevelt dating from 1924 to 1945. The 1924 letter is on stationery from the Women’s Division of the Democratic State Committee. The stationery lists a who’s who of prominent Democratic women including Miss Frances Perkins and Miss Lillian Wald. The letter is written by Eleanor Roosevelt to Mrs John F. Hylan, resident of St. Marks Avenue in Brooklyn, who was married to Mayor John Hylan. The letter introduced Mrs. Pounds who was setting up the Democratic Women’s Booth at an upcoming event. DORIS currently has an initiative to provide the actual names of women, not simply their married names. Today the metadata for the letter would include a reference to Marian O’Hara Hylan.   

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

An odd item in the folder is not correspondence—it’s a first day of issue envelope dated April 24 1972, honoring Fiorello LaGuardia. 

First Day Issue, Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

All together, there are 44 pieces of correspondence; 39 are from Eleanor Roosevelt to Fiorello LaGuardia; three are from LaGuardia to Roosevelt, one is from Roosevelt’s secretary and one letter to Mrs. Hylan. Written on heavy 6” x 9” paper, the Roosevelt-LaGuardia notes date from April 9, 1935 to October 7, 1945. Most are typed on White House notepaper with a hand-written signature at the bottom. Some contain penciled notations with instructions from the Mayor. For example, the first note informs the Mayor that Eric Gugler, an architect who remodeled the West Wing of the White House also has a plan for a war memorial for Battery Park. Eleanor Roosevelt suggested that “it might interest you because of what could be done to improve that part of the city at a very small cost.” Scrawled at the top are the instructions from Mayor LaGuardia to staff: “ask Jonas Lie to look at this.”   

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

Who, you might ask, is Jonas Lie? Born in Norway, he moved to the United States in 1893 and trained at the Art Student League. An Impressionist landscape painter, he specialized in coastal scenes, New York City scenes and, famously at the time, a series of paintings depicting the construction of the Panama Canal. He was also a member of the Art Commission. Did Lie check out the exhibit and vet the architect?  We don’t know but we do know that the memorial to World War 1 soldiers was not built.

Many of Eleanor’s notes are banal, part of the give and take of government. They convey information about people looking for work, express gratitude for Birthday wishes, invite attendance at events. Most begin with the salutation, “My Dear Mr. Mayor:” One interesting missive was not written to the Mayor but to Mrs. LaGuardia (aka Marie Fisher LaGuardia) and signed not by Eleanor but by her secretary, Edith Helm, aka Mrs. James M. Helm. The letter expressed concern that an earlier note inviting the couple to stay overnight at the White House went astray and reiterated the offer of a sleepover.  Did that actually occur?  

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

A duo of notes inviting the LaGuardia family for lunch and a little party and then responding back to the Mayor, expressing understanding that the children’s bed time schedule would dictate how late they could stay at Hyde Park.

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

Photo illustration, This I Remember, by Eleanor Roosevelt, Harper & Brothers, 1949. Municipal Library.

Some are oblique: “I am enclosing a letter which has come to me and would appreciate it if you could look into the matter.”  We likely will never know the matter that aroused Eleanor Roosevelt’s interest on July 16, 1940. 

One note from August, 1940 generates curiosity.  “I am very anxious to have a talk with you and Mr. Flynn tells me that we had better talk in some quiet place,” it begins.  One presumes the reference is to Boss of the Bronx Edward Flynn, a strong supporter of President Roosevelt and, in 1940, the national chair of the Democratic Party.  The note continues, suggesting a visit that would require the Mayor to “climb three flights of stairs to have tea with me at my apartment, 20 East 11th Street (Miss Thompson’s name is on the bell…”  It was clearly urgent because Eleanor Roosevelt offered an alternative date when she would be back in town.  A handwritten date at the bottom, written by someone at City Hall, states “Sept 4 –“  So, presumably, the conversation happened.  

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

In August, 1941, Eleanor Roosevelt became an Assistant Director in the Office of Civil Defense, based in Washington. A September 1941 note to LaGuardia explained her approach to familiarizing herself with the organization and stated her intention, with LaGuardia’s permission, to visit the offices on Monday.

Her tenure at Civil Defense was short. Due to criticism of the President’s wife holding a position in government, she resigned in February, 1942.

One exchange of correspondence in August 1943 clearly concerns racial unrest in the City. Early that month, a white police officer shot a black soldier in Harlem.  Rumors that the soldier had been killed lit the fuse on simmering tensions over price gouging, lack of economic opportunity, discrimination and police brutality. Over two days, six black people were killed, more than 500 injured, thousands arrested and millions in property damage. Eleanor Roosevelt weighed in with a much longer note than any of the others.  Referencing her conversations with black residents of the City, she suggested hiring more black police officers, finding more summer employment for young people and expanding supervised play for the youngest residents. Further, she reported there was “a feeling that white policemen are unnecessarily harsh to young colored people.” 

This letter struck a chord. Famously pugnacious, Mayor LaGuardia responded with two single-spaced, double-sided missives in defense of the City’s efforts, dated only a day apart. Citing “lies, lies, lies and more lies concerning the situation” LaGuardia wrote that despite recruitment efforts the number of black police officers on the force had only increased by twenty since 1933 only twenty new  black police officers joined the force between 1933 and 1943. 

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

The final note in the folder dated October 7, 1945 does not use White House note paper but instead is from a New York City address on Washington Square. Written in response to LaGuardia’s request, it enclosed a pass for a Senator Farley to visit the Hyde Park grave of former President Franklin D. Roosevelt who had died on April 12, 1945 and instructed that further requests be sent to the Department of the Interior.  

Eleanor Roosevelt correspondence, Special Collection, NYC Municipal Archives.

Manhattan Building Plans – Project Update

In 2018, with support from the New York State Library Conservation/Preservation Program, the Municipal Archives commenced a project to preserve and re-house approximately 100,000 architectural drawings and reproductions of buildings in lower Manhattan. Dating from 1866 through the 1970s, the plans comprise sections, elevations, floor plans, and details, as well as engineering and structural diagrams of buildings on 958 blocks in Manhattan from the Battery to 34th Street.  

In the first year, project archivists cataloged and re-housed 11,882 plans for 977 buildings in the Tribeca and SoHo neighborhoods. With continued State Library support in 2021/22, the Archives preserved more than 18,000 plans for buildings in the Greenwich Village neighborhood. 

For the Record has described project progress in several articles. Re-discovering the Old Pennsylvania Station highlighted original plans of the iconic building found in the collection. The Curious Case of the Lighting of the Williamsburg Bridge told the story of an experiment to power lighting for school buildings via a trash incinerator. Stables and Auction Marts: Building Plans with Horses detailed the significance of horses in 19th and early 20th century New York City. And Loew's Canal Street Theater featured the plans for the ornate Loew’s Theater on Canal Street.

26 Ridge Street, ca. 1940. 1940s Tax Photograph Collection, NYC Municipal Archives.

Project archivists recently completed preservation and re-housing 11,350 plans for buildings in the Lower East Side and East Village with support from the State Library.  This week, For the Record explores some of the interesting “finds” identified over the course of the project.

The Lower East Side and East Village have long been recognized as iconic neighborhoods to which millions of Americans can trace their roots. Their streetscapes have served as a backdrop for countless books, films and stories that chronicle the experience of generations of newcomers to the United States from around the world.

Plans preserved over the course of the project illustrate how these communities developed with examples of buildings of all types necessary for a thriving neighborhood. They include every style of residential building—from simple “tenements,” and more modern apartment buildings, to elegant single-family townhouses. Plans of retail establishments, banks, hotels, houses of worship, entertainment venues, bathhouses, factories, warehouses, boardinghouses, stables, garages—are also evident in abundance.

The Department of Buildings practice of requiring plans to be filed when issuing permits to build new buildings or to alter existing structures began in the late 1880s. This coincided with a period of intense immigration to the United States by Eastern European Jews who settled in the Lower East Side neighborhood; consequently, the collection is particularly rich in drawings reflecting those immigrant communities. 


Religious institutions: 

242 East 7th Street, cross section. Gross & Kleinberger, architects. Department of Buildings Collection, NYC Municipal Archives.

242 East 7th Street, auditorium and balcony plans. Gross & Kleinberger, architects. Department of Buildings Collection, NYC Municipal Archives.

242 East 7th Street, ca. 1940. 1940s Tax Photograph Collection, NYC Municipal Archives.

Block 376 Lot 13 

Congregation Beth Hamedrash Hagadol Anshe Ungarin (Great House of Study of the People of Hungary), designed by the firm of Gross & Kleinberger, this synagogue was built in 1908 at 242 East 7th Street, after the congregation had grown too large for its previous site. The second image shows seating in the auditorium and balcony. 

172 Norfolk Street, plan for Russian and Turkish baths. Department of Buildings Collection, NYC Municipal Archives.

Block 355 Lot 4 

Hand-drawn plan for another Hungarian synagogue located at 172 Norfolk Street; this alteration drawing from 1893 shows the building had Turkish and Russian baths, and dressing rooms on the lower floors. 

26 Ridge Street. front elevation. Frederick Ebeling, architect. Department of Buildings Collection, NYC Municipal Archives.

Block 341 Lot 38   

A synagogue built in 1906, architect Frederick Ebeling, owned by Congregation Thebat Achim, and located at 26 Ridge Street; the front elevation plan shows an onion dome and a Star of David lunette.  


Housing: 

58-62 Hester Street, Longitudinal Section, Tenement House for Cortlandt Bishop, Esq. Ernest Flagg, architect. Department of Buildings Collection, NYC Municipal Archives.

58-62 Hester Street, Ground Floor, Tenemant House for Cortlandt Bishop, Esq. Ernest Flagg, architect. Department of Buildings Collection, NYC Municipal Archives.

Block 298 Lot 15  

1901 new build drawings for a “Model Tenement” by architect Ernest Flagg, located at 58-62 Hester Street; a longitudinal drawing featuring the building’s central staircase and a detail of the ground floor showing that although each apartment had its own “W.C,” showers and baths were shared spaces. 

128 Broome Street, elevation. Michael Bernstein, architect. Department of Buildings Collection, NYC Municipal Archives. Some of the architectural flourishes were never built or were gone by the 1940s.

128 Broome Street, ca. 1940. 1940s Tax Photograph Collection, NYC Municipal Archives.

Block 337, Lot 1 

An apartment building at 128 Broome Street at the corner with Pitt Street; built in 1899 by architect Michael Bernstein, the façade has lovely detail work. 

88 Ridge Street, Front Elevation, East Side of Ridge Street. Charles B. Meyers, architect. Department of Buildings Collection, NYC Municipal Archives.

Block 343 Lot 43 

80-82, 84-86, 88 Ridge Street; three adjacent 6-story brick tenements with stores on the ground floors and a shared tin roof and façade; built in 1892, architect Charles B. Meyers.

Architects Bernstein and Meyers are ubiquitous names in the Buildings Plans Collection, as they were prolific during the tenement housing boom.


Services and businesses: 

New Closet Building at Grammar School No. 4, 203 Rivington Street, 1894. Department of Buildings Collection, NYC Municipal Archives.

Block 343 Lot 50 

“New Closet Building” for Grammar School No. 4 from 1894, located at 203 Rivington Street. The drawing shows the old water closet facilities on the left and the much larger expansion facility, in the center a necessary alteration to keep up with the burgeoning population. Also notable are the separate “yards” for girls and boys. 

101 Broome Street, coal bunker. Department of Buildings Collection, NYC Municipal Archives.

Block 336 Lot 43 

More people meant a greater need for fuel. This is an interesting drawing of the interior of a concrete coal bunker featuring track and hopper; located at 101 Broome Street, built in 1907. 

Bank of Max Kobre, elevation. Benjamin W. Levitan, architect. Department of Buildings Collection, NYC Municipal Archives.

41 Canal Street, ca. 1940. 1940s Tax Photograph Collection, NYC Municipal Archives.

Block 298 Lot 33 

The Bank of Max Kobre, built in 1911, located at 41 Canal Street, was one of many privately owned “immigrant” banks that held deposits, made loans, and brokered steamship tickets to the community. The 1940 Tax Photograph shows it had become a funeral home, the Zion Memorial Chapel.

81-81 ½ Bowery, elevation. Samuel Sass, architect. Department of Buildings Collection, NYC Municipal Archives.

81-81 ½ Bowery, interior balcony and staircase. Samuel Sass, architect. Department of Buildings Collection, NYC Municipal Archives.

Block 303 Lot 9 

Delicate 1909 alteration plans by architect Samuel Sass, showing signage and interior staircase for Shulman’s Clothing Store located at 81-81 ½ Bowery. 

Department of Buildings Collection, NYC Municipal Archives.

Williamsburg Bridge, view showing fish market, south entrance [Delancey] and Pitt Street. February 20, 1925. Photograph by Eugene de Salignac, Department of Bridges/Plant & Structures collection, NYC Municipal Archives.

 Block 337 Lot 9 

1924 plan showing signage and zinc-lined wood tank for the Wenig Live Fish Company, located at 36 Pitt Street. A building that was photographed by Eugene de Salignac in 1925.

19 Ludlow Street, plan for a “Rockwell Matzoth Oven.” Max Muller Architect. Department of Buildings Collection, NYC Municipal Archives.

Block 298 Lot 24 

Colorful drawing for a “Rockwell Matzoth Oven” to be installed at 19 Ludlow Street in 1923; architect Max Muller’s name is seen on many plans for buildings on the Lower East Side.

Welcoming Home American Olympic Champions in 1924

Today, July 26, 2024, the opening ceremony for the 2024 Summer Olympic Games will take place in Paris, France, one hundred years after the “City of Light” first hosted Summer Olympic games.

Scrapbook clipping from the New York American, August 7, 1924. Mayor Hylan collection, NYC Municipal Archives.

On August 6, ten days after the 1924 games concluded, New York City welcomed home more than two hundred American athletes with a ticker-tape parade along Broadway and a ceremonial dinner at the Hotel Astor.  

This week, For the Record turns to Mayor John Hylan’s newspaper clipping scrapbooks and City Greeter Grover Whalen’s records to tell the story of New York’s celebration for the returning Olympians. 

Whalen had perfected the art of staging a ticker-tape parade during his five years leading the Mayor’s Committee for Receptions to Distinguished Guests. Whalen’s files typically contain minutes of planning meetings and lists of invitees for the event. For the 1924 Olympics parade and dinner, the folder includes a “Memorandum” from the President of the Board of Aldermen urging Whalen to extend invitations to the mayors of two dozen other big American cities to “…show that there is no disposition on the part of New York City to ‘hog’ it all.” Whalen apparently accepted their advice. The file includes a transcript of a telegram Whalen sent to mayors of Boston, Detroit, Chicago, Los Angeles and other cities, inviting them to attend a meeting to plan “… an entertainment for the returning victorious American Olympic Team.”   

Menu from Olympic Reception. Grover Whalen collection, NYC Municipal Archives.

Menu from Olympic Reception. Grover Whalen collection, NYC Municipal Archives.

Mayor Hylan’s newspaper clipping scrapbook documents the big day. Apparently, it did not get off to a good start. The New York World-Telegram newspaper headline for August 7, read “Olympic Athletes Welcomed Home by a Broiling City.” The article related how fog in the harbor delayed arrival of the ship returning the athletes from Europe. Then, the article continued, “bunglesome” customs formalities further delayed the athletes. Eventually, however, 5,000 people gathered at Battery Park and “braved the burning sun” to see the parade that finally got underway around 5 p.m.. At City Hall, Mayor Hylan shook hands with each of the athletes and gave them gold medals expressing the gratitude of New York City for their showing in Paris. Dignitaries made speeches over the then-new municipal radio station WNYC, and the day concluded with “a beefsteak supper” at the Hotel Astor.

Telegram from Grover Whalen to Andrew Mellon, Secretary of the Treasury, regarding the returning Olympians, July 21, 1924. Grover Whalen collection, NYC Municipal Archives.

Previous For the Record articles have discussed how the mayoral scrapbooks are a useful resource. The mayor’s staff clipped stories from all of the local newspapers—more than a dozen in the 1920s. Although back issues of a few papers, e.g. The New York Times are now available online in digital format, most are not.

The clippings also have value because they provide context and reveal information about contemporaneous events relevant to the research subject. We Shall All Be There: Dedicating Shea Stadium described how researching in Mayor Wagner scrapbooks for stories about Shea Stadium, led to discovery of articles about a “stall-in” planned by the Congress of Racial Equality to disrupt the opening day of the 1964/65 New York World’s Fair. According to the stories, hundreds of drivers would travel on the highways leading to the fairgrounds and deliberately stall-out their automobiles to cause massive traffic jams.

Scrapbook clipping from the Brooklyn Eagle, August 3, 1924. Mayor Hylan collection, NYC Municipal Archives.

Researchers investigating the Olympic athlete celebration in Mayor Hylan’s scrapbooks will find that the bigger story of the day was Grover Whalen’s resignation from his post as Commissioner of the Department of Plant and Structures. In his letter of resignation, effective July 1, 1924, Whalen explained that his decision was “based on personal and family considerations,” specifically, the expenses of educating his growing family. He also expressed concern that he would not be able to devote sufficient attention to Hylan’s plans for new subway construction.  

Whalen released a copy of his resignation letter to the press and several articles speculated about the “real cause,” of his departure from city government. The Eagle newspaper suggested that Whalen’s action may have been “a brilliant move for a possible candidate for Mayor.” Other reports cited Hylan’s decision to remove responsibility for city ferries and trackless trolleys from Whalen’s portfolio.

Whalen did not resign from his role with the Mayor’s Reception Committee, and he ably welcomed home the returning Olympians. Swimmer Johnny Weissmuller was among the victorious athletes. He won three gold medals for swimming as well as a bronze medal as a member of the water polo team. Weissmuller later made his way to Hollywood and became famous playing Tarzan of the Apes in several movies. Helen Wills won gold medals in the singles and doubles tennis events and gold-medal rower Benjamin Spock later achieved renown as a pediatrician and author.

In another film-related connection, the 1924 Paris Games themselves became immortalized in Chariots of Fire, the 1981 Oscar-winning film about British runners Eric Liddell and Harold Abrahams.

It remains to be seen how the American team fares in the 2024 Olympic Games but For the Record readers will certainly cheer them on.

“A True and Perfect Inventory” - The Municipal Archives Collection of 18th and 19th-century Estate Records, Part Two

Last week, For the Record reviewed Estate Inventories and demonstrated how documents in the collection offer unique insights into Manhattan life from the era of George Washington’s presidency through the runup to the Civil War. Remarkably rich with detail, these records simultaneously remind us of how different—and yet how familiar—New York City life was, 200 years ago. 

This week, For the Record continues the analysis of the collection focusing on three themes: Enslaved people in New York City, Tools of the trade: artisans and shopkeepers, and Booksellers and personal libraries


Enslaved people in New York City 

Ownership of human beings was not outlawed in New York State until 1827. The estate files therefore cover several decades when the practice was still legal. References to enslaved persons can be found in some of the estates. For example, consider the short asset list of Samuel Clews who died in 1808 and who owned a boarding house and livery stable on Water Street. His estate included a “Negro Man Slave,” whose appraised $100 value was greater than the combined value of all of Mr. Clews’ other possessions. The appraisers saw fit to note that Samuel Clews also owned a female slave who “ran away 14 Months ago.”  

Estate assets of Samuel Clews, 1808. Estate Inventories. NYC Municipal Archives.

Similarly, Samuel Kips of the Kips Bay family left a modest collection of household furniture, tableware, and “6 old books” whose combined value came to barely $350 at his death in 1804. But he also listed three “negro girls” whose appraised value was $492. 

Estate assets of Samuel Kip, 1804, page 1 of 2. Estate Inventories, NYC Municipal Archives.

Estate assets of Samuel Kip, 1804, page 1 of 2. Estate Inventories, NYC Municipal Archives.

A different story emerges from the estate of James Arden, a wealthy merchant whose estate inventory is notable for the methodical and detailed picture it paints of his home at 12 Greenwich Street. Arden’s appraisers worked floor-by-floor and room-by-room, allowing us to reconstruct how his residence was organized and appointed. The appraisers even distinguished between what was in his desk (silver knee buckles and certificates for bank shares) and what was on the desk (“ink stand paper quills & pencils”). James Arden’s estate file says nothing about enslaved people, although it lists the modest contents of a “Garret & Servants Bed Room:” 

Estate assets of James Arden, 1822. Estate inventories, NYC Municipal Archives.

More of the story emerges from Arden’s actual will, which is not part of the estates collection at the Municipal Archives. [The James Arden will record is accessible via Ancestry.com, New York, U.S., Wills and Probate Records, 1659-1999.] His will manumits “my two female slaves Nancy and Nan” as well as Nan’s son Frank. Arden may have had in mind something other than a guilty conscience or even benevolence, however—his will goes on to say that these manumissions were to be conducted “according to law so as to discharge my estate from all future responsibility on their account.” James Arden’s story shows the ways in which the estate lists may be combined with other sources to reconstruct life in old New York.  


Tools of the trade: artisans and shopkeepers 

As the United States developed its own workshops and factories and weaned itself from dependence on imported goods from Europe, how were these establishments stocked? What tools, equipment, and finished products might be encountered upon entering a cabinetmaker’s shop, or that of a cooper, a printer, or a weaver? New York became America’s largest city in 1790, and it manufactured a remarkable variety of products. One example of a workshop’s contents is found in the 1821 estate of Christopher Corley, a gunsmith on Water Street. 

Estate assets, Christopher Corley, 1821. Estate Inventories, NYC Municipal Archives.

Corley’s assets included a wide and formidable array of weapons, as well as the accoutrements needed to deploy them. Some of Christopher Corley’s weaponry from his estate inventory include manufacturing equipment such as “Two sets of gun smith tools,” anvils and bellows, a “lathe and apparatus,” vises, and emery. The large number of gun stocks (800!) and the presence of cannonades (a short cannon used at close-range) suggests that Morley’s customers may have included the military. 

The printer Jonas Booth’s 1850 estate inventory offers a window into developments of interest to historians of information technology as well as historians of advertising, and even of the circus! Booth was an Englishman from Manchester, which has been called “the first industrialized city.” Booth learned the printing trade and arrived in America in 1822 with knowledge not merely of how to print, but how to design and even manufacture every component of the printing process, from making ink to designing and building the printing press itself. His business at 147 Fulton Street became known for Booth’s ability to print jobs fast (he built the first steam-powered printing press in America) and large. One of Booth’s specialties were enormous color posters, used especially to advertise traveling circuses. His estate inventory includes a Napier Printing Press, complete with steam engine, as well as large quantities of colored printing ink and a Harris paint mill that ground color ingredients for mixing up inks. Circus posters, some of which measured ten feet on a side, exemplify ephemera and examples from Booth’s shop are extremely rare and prized as works of art. 

Estate assets, Jonas Booth, 1850, 1 of 2. Estate Inventories, NYC Municipal Archives.

Estate assets, Jonas Booth, 1850,2 of 2. Estate Inventories, NYC Municipal Archives.

Driesbach & Co. Menagerie, published by Thomas W. Strong, 1851. Courtesy the Ringling Museum. Jonas Booth’s estate inventory lists materials and equipment for printing such extraordinary items as this 9x10 foot circus poster, now preserved at the Ringling Circus Museum. This poster is one of the earliest large-scale pictorial posters still in existence. The four-color print depicts Adam and Eve’s expulsion from Paradise and includes the names of the three printing pioneers who created it: printer Jonas Booth, engraver Joseph Morse, and engraver and publisher T.W. Strong.

Rope, twine, string: cordage was a big part of 18th and 19th century life. A large sailing ship could be rigged with up to 40 miles of rope of various sizes. Maps of Manhattan showed surprising numbers of ropewalks, where pre-industrial technology created all types of cordage by having men walk and twist fiber. The few surviving ropewalks document the equipment and supplies working ropemakers required 200 years ago. The 1848 estate of Samuel Abbott offers a scholar of industrial technology a wealth of detail, with an arcane set of specialized terms: crown wheel, side wheel, Jenny wheel.

Estate assets, Samuel Abbott, 1848, 1 of 2. Estate Inventories, NYC Municipal Archives 

Estate assets, Samuel Abbott, 1848, 2 of 2. Estate Inventories, NYC Municipal Archives. 


Booksellers and personal libraries 

Portrait of Richard Harison, 1929. Painting by Albert Rosenthal, copy after Unidentified Artist. Columbia University. From a Catalog of American Portraits, National Portrait Gallery, Smithsonian Institution.

The estate files contain numerous lists of books. Some were impressive personal libraries containing both literature and professional titles, such as law books or medical treatises. An example was the collection of Richard Harison (1747-1829), one-time law partner of Alexander Hamilton, whose obituary called him “the patriarch of the New-York Bar; a man of great legal acquirements, and much general erudition.”

Harison’s estate included a remarkably large library consisting of 1,200 titles, most of which were sets ranging from two to 25 or more separate volumes. His library therefore had perhaps 3,000 to 5,000 bound books! Most were kept at his “country seat,” which was a mansion on property stretching all the way from 8th to 9th Avenues and from West 30th to 31st Street! Harison’s library was astounding in its range and sophistication, supporting his reputation of having “much general erudition”—unsurprisingly it included Shakespeare, Cervantes, Milton and the 20 volume Encyclopedia Britannica but also Isaac Newton on physics, Samuel Johnson’s seminal Dictionary, and such obscurities as a two-volume poem entitled Botanic Garden written by Charles Darwin’s grandfather and Jean Baptiste Bellegarde’s long-forgotten Reflexions Upon Ridicule. Harison still found time to be the first United States Attorney for New York, a state assemblyman, and Alexander Hamilton’s law partner. 

Estate assets, Samuel Bartlett, 1822. Estate Inventories, NYC Municipal Archives.

Another fascinating book list is that of Samuel Bartlett, who operated a combined bookshop, publishing house, and circulating library at 78 Bowery until his death in 1822, after which his brother Caleb took over the business. 

A portion of Samuel Bartlett’s estate inventory, listing items from his shop that included books, plates for printing, sets of chessmen, and old songs valued at ½ cent each, more than 5,000 quills, and pinions—mechanical pieces used in hand-operated printing presses. Try finding a shop selling that combination today! 

Advertisement for Mrs. Bower’s Corset Establishment and Circulating Library (Evening Post, 1824 November 13) 

In the 18th and early 19th centuries there were no public libraries in New York, and few private libraries—The New York Society Library, founded in 1754, is a rare surviving example. However, small “circulating libraries” were not uncommon, offering subscribing members borrowing privileges. An idea of the cost to join a circulating library can be found in a startling ad for a combined “Corset Establishment and Circulating Library” operated on Maiden Lane by Mrs. Bower in 1824: $5 per year. Nonsubscribers could borrow individual volumes for 6 or 12½ cents, depending on their size.

The contents of Samuel Bartlett’s bookshop and library at his death in 1822 is in his estate file. Bartlett’s lending library of 1,384 volumes was described as “nearly all old books…mostly novels, plays, romances and similar works of little value,” and was valued altogether at just $200. However, three densely packed pages are devoted to books for sale. The list is particularly valuable because it indicates the number of copies of each work that were in inventory, giving us an idea of how many of each book Mr. Bartlett thought he could sell.

Many of the books represented by dozens or even hundreds of copies were evidently for student use, such as 485 copies of “Key to Dilworth.”  This was A Key to Dilworth’s Arithmetic, written by an anonymous “Teacher of Arithmetic” and intended to serve as a companion volume to the widely used arithmetic textbook by Thomas Dilworth. Twenty-two copies of American Cookery, followed by 387 copies of Dream Books represents an interesting juxtaposition in Samuel Bartlett’s estate inventory. 

American Cookery, widely considered to be the first fully American cookbook, was published in 1796. Samuel Bartlett had 22 copies in his shop in 1822.

Dream Books purported to associate dream imagery with specific numbers. Bartlett had over 1200 in stock.

American Cookery, widely considered to be the first fully American cookbook, was published in 1796. Its author, Amelia Simmons, is credited with being the first cookbook author to pair turkey with cranberry sauce, and to use the Dutch term cookey for little baked desserts. Samuel Bartlett kept almost two dozen copies in his shop. 

What about 387 copies of the next entry in Bartlett’s inventory, for “Dream Books”—plus more than 900 additional copies listed on another page? Did large numbers of pre-Freudian New Yorkers record or otherwise analyze their dreams? Hardly—Dream Books were cheap publications that purported to associate dream imagery with specific numbers, which in turn could be wagered on in popular but illegal Policy games. Samuel Bartlett appears to have had a thriving business selling Dream Books.  

Let’s close with a look at an unexpected record to emerge from the Municipal Archives’ estate inventories: a description of the elements of a funeral service in 1826! Elias Baldwin died in a voyage to Curacao in November 1825, and his body was returned to the New York area for burial. Unusually, his estate appraisers elected to list in considerable detail the costs associated with his funeral rather than confining themselves to his assets at death. Many of the items are self-evident (“the sailors who assisted on board the ship inlaying Mr. Baldwin out”); others less so (12 cents for “pyrogenous acid,” also known as wood acid. It has antimicrobial properties and may have been used to help preserve the corpse). There were clerks and coffin attendants and a hearse driver, and even—as in mythology—$8 to pay the ferryman to bring the deceased to New Jersey. 

Estate assets, Elias Baldwin, 1826, 1 of 2. Estate Inventories, NYC Municipal Archives.

Estate assets, Elias Baldwin, 1826, 2 of 2. Estate Inventories, NYC Municipal Archives.

In contrast to the detail lavished on Elias Baldwin’s funeral, the rest of his appraised estate listed only a handful of assets—but one stands out for its brush with history: an “uncertain” amount due from “Col Aaron Burr, for services rendered by deceased in his life time.” 

Readers are welcome to explore the updated collection inventory in the Collection Guide.

“A True and Perfect Inventory” - The Municipal Archives Collection of 18th and 19th-century Estate Records, Part One

Lists of people’s possessions when they died—pretty dry stuff, right? Well, the files in the Municipal Archives’ collection of estate assets from 1786 to 1859 may be brittle with age, but the glimpses they offer into Manhattan life from the era of George Washington’s presidency through the runup to the Civil War are hardly dull. Remarkably rich with detail, these records simultaneously remind us of how different—and yet how familiar—New York City life was 200 years ago.


Home of John Clendening in Bloomingdale, D. T. Valentine, 1863 Manual of the Corporation of the City of New York. NYC Municipal Archives.

A winding road back to 31 Chambers Street

The estate records came from the files of the New York County Surrogate’s Court. Generally known as Probate Court, New York is one of only two states that uses the name Surrogate’s Court for the courts that handle the disposition of estates (and orphans). When the head of a household died, the court assigned appraisers to visit the decedent’s home, make a room-by-room list of all possessions, and assign a monetary value to each item. From chamber pot to bank stock, from 25 cents of old lumber to a bear-skin great coat and from “1 six pence 1652” to a copy of Gardner’s Lectures on Steam Engines—it was all written down, attested to by the appraisers, and countersigned by the estate’s executors. The sale or distribution of the assets, by terms of a will or by the decision of the Surrogate, was a separate process from the creation of the asset lists.

1838 estate of William Barlas. Estate Inventories. NYC Municipal Archives.

These 11,000 records took a circuitous route from the Surrogate’s Court record room on the fifth floor of 31 Chambers Street to their current home in the Municipal Archives. In the 1970s, history professor Leo Herskowitz added the records to his “Historic Documents Collection,” at Queens College. Upon his retirement, he transferred the records to the Queens Borough Public Library. They were finally reclaimed by the Municipal Archives in the early 1990s.

The estate files illuminate so many aspects of New York life during the first century of the republic that it’s hard to summarize their historic value concisely. Instead, let’s put ourselves in the shoes of five hypothetical scholars studying different themes and see how these records might bear upon their research.

This week, For the Record looks at the themes Material culture: the personal possessions of New Yorkers and Investment choices in early America.  Next week, in Part Two, the themes of Enslaved people in New York City, Tools of the trade: artisans and shopkeepers, and Booksellers and personal libraries, will be examined.


Material culture: the personal possessions of New Yorkers

What goods were available in Manhattan shops 200 years ago, and what did New Yorkers buy? Items offered for sale can be found in the estate assets of deceased businessmen and shopkeepers, which often included detailed lists of the contents of their shops or factories. And regardless of age or occupation, most estate inventories listed personal possessions—often to extraordinary levels of detail—for the poor, the wealthy, and everyone in between.

A rare example where we have images of a large house in Upper Manhattan, as well as a detailed description of its contents, is in the estate record of John Clendening (1752-1836), a wealthy importer with a mansion at what is now Columbus Avenue around West 104th Street. Clendening’s home survived until the early 20th century. His estate inventory provides a room-by-room list of furnishings from the original owner of a large house dating to the earliest decades of the republic.

The furnishings are impressive more for their completeness and the way they can evoke a bygone era than for their elegance or value: parlor items include an easy chair, “old plated candle sticks,” and a “Mahogany Side Board (old).” 

Contents of a room in John Clendening’s Bloomingdale mansion. Estate Inventory Collection. NYC Municipal Archives.

A remarkable estate of a different sort was that of James Tredwell, from 1808. Tredwell’s assets consisted of the most modest of household goods, none valued at more than a dollar or two each. Yet the heading of his inventory record tells us that James Tredwell was “a blackman,” and that he owned “One half of a house at the head of Jews Alley.” The city directory for 1804 confirms that James Tredwell, laborer, lived at Gibb’s Alley (also known as Jews Alley and the home of the Portuguese Synagogue; later called Mill Street and now part of South William Street). The story of how a Black New Yorker acquired property in the heart of the city decades before slavery was outlawed in the state is a worthy scholarly topic.

James Tredwell’s 1808 estate inventory, page 1. Estate Inventory Collection. NYC Municipal Archives.

James Tredwell’s 1808 estate inventory, page 2. Estate Inventory Collection. NYC Municipal Archives.

Perhaps no more vivid example can be found of how our era differs from the century when these estate records were created than the brief inventory of the estate of Robert Barnes from 1828. Barnes owned household furniture appraised at just $10, a horse and wagon worth $72, and a house valued at $200 at the corner of 6th Avenue and 8th Street. But his assets also included a cellar of ice valued at $550, more than twice the value of his house! The inventory was made in May, so the ice had survived the warmth of Spring and was ready to be monetized for its cooling potential in the summer of 1828.

Robert Barnes’s furniture, house, and cellar full of ice. Estate Inventories. NYC Municipal Archives.

There were still farms on Manhattan Island in the 1820s. Samson Benson, heir to a farm in what is now Harlem and the upper reaches of Central Park, owned an array of farming implements, animals and produce: wagons, ploughs and harrows, a sorrel horse, three cows, and “6 fat hogs,” and quantities of buckwheat, potatoes, and oats. He also owned an oyster rake, evocative of the brackish water that still flowed nearby.

Estate Inventory Samson Benson. Estate Inventories. NYC Municipal Archives.


Investment choices in early America

Investing money to make more money was certainly an option available to New York City residents of the late 18th and early 19th centuries. The portfolios of wealthy New Yorkers as revealed in their estate appraisals included stocks and bonds, but these tended to be for a narrow set of industries compared to today’s stock market offerings. Those who could afford to often invested in transportation infrastructure: turnpike companies, canal companies, and railroads. Insurance companies and bank stocks were also common, but periodic financial crises and the lack of a Federal Reserve to step in meant that many estate records list bank stocks with an annotation such as “bank failed” or “of doubtful value.” Direct and sizeable person-to-person loans were very common, often with real estate as the collateral. Interest rates of 6-7% were typical in the 1820s-1850s.

A diverse portfolio of investments in the 1845 estate of Janet Barlas, page 1. Estate Inventories. NYC Municipal Archives.

A diverse portfolio of investments in the 1845 estate of Janet Barlas, page 2. Estate Inventories. NYC Municipal Archives.

Janet Barlas owned shares in banks, canal companies, insurance companies, and The Manhattan Company. The latter was the holding company founded in 1799 by Aaron Burr and an all-star lineup of investors, nominally to provide a reliable water supply to Manhattan but in reality to circumvent Alexander Hamilton’s banking monopoly. The Manhattan Company still exists—its current incarnation is JP Morgan Chase.

Some financial assets that look like curiosities to contemporary eyes appear in these estate inventories. For example, appraisers of the 1836 estate of Gurdon S. Mumford, who had been private secretary to Benjamin Franklin and a United States congressman but later fell on hard times, listed only two assets: certificates entitling Mumford to proceeds from the “French Indemnity” and the “Neapolitan Indemnity.” These artifacts of maritime history emerged from the taking of American ships and the property of U.S. citizens in the early 19th century during disputes with France and with the Kingdom of the Two Sicilies, respectively. If you don’t remember any such wars from your history classes, you’re not alone. These were quasi-wars as American naval power was tested by European kingdoms. When the disputes were eventually settled, indemnifying payments were agreed upon and apparently U.S. citizens could either place claims, or make investments based on the scheduled payments, which came in installments over a period of years.

Gurdon S. Mumford’s estate appraisal listing shares of the French and Neapolitan Indemnities, page 1. Estate Inventories. NYC Municipal Archives.

Gurdon S. Mumford’s estate appraisal listing shares of the French and Neapolitan Indemnities, page 2. Estate Inventories. NYC Municipal Archives.

New York City’s role as a center of the maritime industry appears in many contexts in estate records, from the modest possessions of sailors who died at sea to shares of ships. For example, at his death in 1809 Eliab Burgis’s net worth consisted entirely of his share in four sailing ships.

Eliab Burgis’s estate inventory. Estate Inventories. NYC Municipal Archives.

Readers are welcome to explore the updated collection inventory in the Collection Guide. Next week, in Part Two, For the Record will explore the themes of Enslaved people in New York City, Tools of the trade: artisans and shopkeepers, and Booksellers and personal libraries that can be explored in the collection.

Fireworks

Fireworks off the Bridge, 1883. Brooklyn Bridge Drawings Collection. NYC Municipal Archives.

Fireworks have been a part of American celebrations for centuries. Independence Day festivities traditionally include pyrotechnic displays. Many communities in the metropolitan New York area have fireworks at their annual 4th of July observances. The largest, and reputed to be the most spectacular, is the Macy’s-sponsored fireworks. First staged in 1976 to coincide with the Bicentennial, this annual event draws tens of thousands of visitors to the City.   

Although fireworks are ubiquitous in City celebrations, researching the topic in Municipal Archives and Library collections results mainly in documentation of regulations to control their sale and possession, and relatively few depictions of the displays. Two notable exceptions, however, are both related to the Brooklyn Bridge.  

The Brooklyn Bridge collection in the Municipal Archives includes drawings showing the grand fireworks display staged on its opening day, May 24, 1883. There are two items; both are watercolor, pastel and pencil works on paper by anonymous artists. 

Fireworks off the Bridge, 1883. Brooklyn Bridge Drawings Collection. NYC Municipal Archives.

In the second instance, City photographers captured the spectacular fireworks display staged for the Bridge centennial on May 24, 1983. 

Fireworks, May 24, 1983. Mayor Edward Koch Photograph Collection. NYC Municipal Archives.

This year the Macy’s-sponsored fireworks will be launched from barges positioned on the Hudson river between West 14th and West 34th Streets. The best spots to watch the display will be in Manhattan along the West Side Highway between those streets, or across the river near the New Jersey waterfront in Hoboken, Weehawken and Jersey City.

Whether or not it includes fireworks, For the Record wishes its readers a Happy Independence Day.